郑芬芬导演执导的《腱子肉》，2009年上映至今获得了不错的口碑，由卢西安·布坎南,马特·惠伦,马克·米钦森,嘉雅·碧丝·罗伯逊,Ascia Maybury,Graham Vincent,Holly Shervey,Jack Barry,Zara Nausbaum,Francesca Eglinton,Regina Hegemann,Coco White,Jatinder Singh等主演的一部不错的电影。

腱子肉剧情：

TudorFilms presents an action packed gore fest, following regular guy Ed (Marcus Carroll) who awakes one morning to find that his Nan (grandmother) has become one of the living dead. Trapped in his home, Ed struggles to handle the situation. With help from his friends, Ed tries to survive the day, but as his Nan becomes stronger, Ed is battling to keep his house zombie free, stay alive and save the day.

An homage to European exploitation of the 60s and 70s. A man searches for his missing girlfriend, who has been abducted by a clan of vampires, led by an insane Nazi doctor. He must now battle this horde of bloodsuckers in order to retrieve the soul of the woman he loves, and save his own from eternal damnation.

怪(🔽)談(😀)25周(🐱)年(🈚)を(🗳)迎(🍦)え(🛣)た(🚑)稲(🎒)川(😾)(chuā(🤡)n )淳(🖌)二(🍚)の(🚯)最(⬛)高(⛪)(gā(🤧)o )傑作(zuò )がここに！！

古代(dài )有一伙劫富济贫平乱为民的(de )正义强盗，与一伙无恶(è )不作(zuò )的海盗(dào )，共同得知(zhī )一条关于宝藏的消息，但想(xiǎng )找到宝(🈹)藏(🧛)必(🥈)(bì(😗) )须(⏹)要(🥥)(yà(🍛)o )找(🎇)到一(yī )位女(nǚ )孩，藏(cáng )宝图与开启宝藏大门的钥匙(shí )在女孩的手(shǒu )中，但女孩(hái )在多(duō )年前已(yǐ(🐺) )经(🕣)消(💊)(xiā(🌖)o )失(📻)在(💭)那(🖊)(nà(🌔) )个(🈷)世(📍)界(🛵)，传(👩)闻(🍑)是(🗽)穿(🎤)越(🥥)到(♎)了另(lìng )一个时代。

Three burglars will soon realise they are not alone in a manor house when they discover a doll mysteriously appearing.

沿海小镇，威廉(lián )和大角(jiǎo )两兄弟率领(lǐng )的两大帮派——白边，黑边(biān )长期盘踞于(yú )此。小镇青(qīng )年不(bú )，本身(shēn )只是一个暗(àn )恋(👜)邻(🛏)家(🧡)女(🏅)孩(🔘)汐(🤴)却(🖇)不(📩)敢表白，开着咖啡厅(tīng )混日(rì )子的小(xiǎo )人物(wù )，却因(yīn )自己的好兄弟三尺介入帮派(pài )斗争，在与(yǔ(🍬) )白(🧀)边(🚳)中(😭)神(⛱)秘(👘)(mì(🤵) )冷(🕔)美(🚰)(mě(💘)i )人(🚳)兰(🤧)、(♊)好(🛤)战(🐹)(zhà(🆒)n )的(👎)风、狠辣的大角哥的较量中，不(bú )的战斗热血(xuè )和战斗天赋(fù )被强(qiáng )势激起(qǐ )，一发而不(bú )可收。然而接下来，汐的暧(ài )昧与伤害，帮派斗争的(de )升级(🈴)(jí(🌼) )，与(🤓)冷(😣)(lě(🎀)ng )美(🌤)人(🏘)兰灵与肉的纠葛，兄弟三尺的困境(jìng )，让本无心(xīn )江湖(hú )的不必(bì )须挥(huī )动拳头(tóu )杀出重重包围。

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

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