故(🏧)(gù )事(🏪)发生在墨(mò(🍣) )西哥(💋)城的一(yī )个中(🧚)产阶级(jí )社(🙄)区(qū(🤼) )“罗马(😦)(mǎ )”，讲述年(nián )轻女(nǚ )佣克里(🅱)(lǐ )奥(🏯)（雅利扎(zhā(🛷) )·阿(🎶)(ā )巴(🕴)里西奥饰(shì )）在雇主索(suǒ(🧟) )菲亚(🐍)（玛丽(lì )娜(🌄)·德(📶)·塔(tǎ )维拉饰）家中工作，该家(💌)中索(🤢)菲亚的丈夫(🏆)长期(👷)在外，由女佣克里奥照顾索菲的(♋)四个(🛷)孩子。突如其(〰)来的(💿)(de )两个(gè )意外，同时(shí )砸中了(👅)(le )女佣(⚪)(yòng )克(👺)里奥(ào )和雇(🍃)(gù )主(🚙)索菲(fēi )亚，两人(⛓)究竟该(gāi )如(♓)何面(🚓)对苦(🌊)(kǔ )涩茫然的生(shēng )活？四位(🥖)孩(há(🐈)i )子似(sì )乎是(⛪)希(xī(⏺) )望所(⏪)(suǒ )在。 这(zhè )是以(yǐ )导演阿(ā(😑) )方索(🥨)(suǒ )·卡隆的(🆖)儿(é(🉐)r )时记忆铸成(chéng )的影片，而(ér )卡隆(📍)其实(🕔)就(jiù )是片中(🐮)某一(🤤)位小孩。 喧嚣的都市中，在碟店打(🏀)工的(🌾)男主角阿正(🍤)与都(⛴)市白领小美邂逅，两颗寂寞(🐑)的心(🈳)渐(jià(📩)n )渐走(zǒu )近,直(🎛)至(zhì(♉) )两人(rén )之间的(🏫)(de )交往(wǎng )被一(🏉)个(gè(🛤) )中年(🐇)(nián )男人发(fā )现，阿正被其找(👬)(zhǎo )人(🦉)暴打之后(hò(♏)u )，两个(🗾)带着(📜)(zhe )创伤(shāng )的身体(tǐ )才最(zuì )终(😎)越过(🦕)(guò )了底(dǐ )线(💬)。 阿(ā(🍒) )正天(tiān )真地认(rèn )为这(zhè )种暧昧(⭕)关系(💽)(xì )即代表着(🐟)一(yī(🌔) )种情感的承(chéng )诺，而小美(měi )或许(💕)只是(🍶)将其作为一(🔃)种愧(🌆)疚下的补偿、一段临时的(🐽)慰藉(👻)，甚至(🥥)从未对阿正产生(😹)过所谓的的“爱(🕠)”。 1928年7月，国民党(🐝)(dǎng )第(🏦)十(shí(📢) )二军军(jun1 )长孙(sūn )殿英以(yǐ )军(🖕)事(shì(🚋) )演习为(wéi )名(🏪)，秘密(🛵)挖掘了(le )清东陵慈禧(xǐ )墓和乾隆(🗜)墓(mù(🥖) )，盗(dào )窃了无(🚐)(wú )数(〰)的(de )稀世珍(zhēn )宝，但这些(xiē )财宝(bǎ(🛢)o )下落(🏂)不(bú )明。据民(💥)间传(🌓)说(shuō )，孙殿英将(jiāng )部分财宝贿(huì(📗) )赂给(🖌)了上司(sī )徐(🍄)源泉(🏵)，徐源泉便将财(🍅)宝埋在了自(🕣)家公(👌)馆的(🎇)地下秘室中。文革期间，有人在武(🔥)汉新洲徐公(👏)馆附(🐃)近挖(💯)出了不(bú )少枪支(zhī )军备(bè(🐂)i )，结果(🍃)(guǒ )有关(guān )徐(👿)公馆(💕)(guǎn )藏有(yǒu )巨宝的(de )说法(fǎ )不胫而(🍻)走。影(🤟)片以武汉(hà(🥋)n )新洲(☕)仓埠古(gǔ )镇徐源泉将(jiāng )军的(de )古(🥘)宅及(😬)(jí )密道(dào )为(🤜)依托(🔉)(tuō )，首(shǒu )次通过(guò )影片(piàn )的形式(😆)向世(😕)(shì )人公开此(🏀)历(lì(🗂) )史文化古迹(jì(🌊) )。考古专业(yè(🍣) )毕业(👞)生雪(📡)莹跟随考古专家古莫教授等人(🔹)进入徐公馆(🐽)考古(🎉)，考古(🛸)队在古宅的地下秘道内发(🔀)现一(🕡)件宝物，宝物(🏻)在押(😃)送(sòng )途中(zhōng )被匪徒(tú )抢走(zǒu )，之(🌚)后(hò(😬)u )教授(shòu )等人(😴)与(yǔ(🐠) )男女(nǚ )神偷、国外(wài )文物团伙(🤙)尤(yó(🐘)u )大等人激烈(🍥)(liè )争(🚕)夺，宝物(wù )丢失(shī )后，匪(fěi )徒陆(lù(🎡) )续遭(👂)受(shòu )报应(yī(🏝)ng )，并出(🛅)(chū )现系(xì )列离(👆)奇死亡(wáng )事(⛑)件，一(🔭)场(chǎ(⏳)ng )正义与邪恶(è )的较量由此(cǐ )开(👻)始...... 從高峰(fē(🚙)ng )滑落(⚪)谷底(🥫)，比從未風光過更難受？前(📘)曼聯(🐗)球星簡東拿(🐞)變身(👐)潦倒過氣藝術家尤利西，那種時(🐒)不我(📮)與的虛(xū )空(💂)落(luò(🥍) )寞盡在(zài )眉宇(yǔ )間。藝(yì )術學(xué(🔢) )生蒙(🆔)娜(nà )欲拜(bà(👱)i )他為(😇)師，反(fǎn )過來成了他(tā )重生的希(⛓)望(wà(🈯)ng )。發現身患(huà(🔋)n )絕症(🥕)(zhèng )後，他(tā )由蒙(🍛)(méng )娜作伴(bà(😓)n )，走(zǒ(🐖)u )出隱(😬)居(jū )大宅(zhái )，尋訪當年(nián )被他離(🥢)棄的(de )弟弟及(🏺)妻兒(😴)(ér )，坦(📵)白致歉(qiàn )望求寬恕。感性而(🌊)不感(🐀)傷，碧巴達以(👯)不慍(🏢)不火的圓熟技巧呈現破碎人生(🖍)的悲(🎿)喜，冷不防遇(🌈)上慌(📧)失失劫匪來個黑色(sè )幽默(mò )，也(🌪)未(wè(🚲)i )忘留(liú )下孩(🍬)子(zǐ(☝) )的善(shàn )良，溫(wēn )潤人(rén )間。 Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages. news-images A young couple picks the wrong hideout while trying to elude the police. UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.