Liam Gavin导演执导的《情景剧》，2016年上映至今获得了不错的口碑，由阮沛瑄等主演的一部不错的恐怖片。

情景剧剧情：

UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.

武(🚋)则天登基前(❎)，“无头神将”怪(🙇)(guài )物奇袭皇(💐)陵，屠(tú )杀官(🏑)兵和工匠。武(🎙)后派民间神(🦇)探狄仁(rén )杰调查(👑)此案。狄(dí )仁(⏹)杰多次涉险(🌞)后(hòu )终于发(📘)现幕后黑(hē(😲)i )手的(🌪)身份和无头(🥀)(tóu )神将的真(👧)面目。敌人袭(🕊)击祭天大(dà(⛳) )典，狄仁杰摧(😖)毁“无头神将(⛩)”，击溃(kuì )敌人(🚸)，保护(🌜)了武(wǔ )后。

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.

Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?

南(🎩)宋时汉水(shuǐ(🤤) )流域河盗猖(🗿)獗，朝廷为剿(🥁)灭匪患(huàn )派出“横(🏥)江军”精英章(😕)盖出任特(tè(😥) )使，稽查河上(🏊)大(dà )案。查案(💁)中与退役军(🤯)人莫客偶遇(🏤)，二(èr )人在误会中(🅾)建立(lì )友谊(📚)。恰逢莫客(kè(🍇) )亲人女孩玉(🐛)佩被(bèi )河盗(👴)掳走(👙)，二人(rén )携手(🌗)救出玉佩和(👯)(hé )被拐儿童(💰)，将河(hé )盗正(🏼)法，还一方平(✝)安。

Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.

從高峰滑(🥠)落谷(gǔ )底，比(🚸)從未(🚮)風光(guāng )過更(🛍)難受？前曼(✈)(màn )聯球星簡(🔱)東拿變(biàn )身(🖥)潦倒過氣藝術(shù(🌽) )家尤利西，那(🛢)種(zhǒng )時不我(🙁)與的虛空(kō(😚)ng )落寞盡在眉(🍥)宇間(jiān )。藝術(🕍)學生蒙娜欲(🙂)拜他為師，反過來(🎟)(lái )成了他重(💵)生的希(xī )望(😓)。發現身患絕(🗃)(jué )症後，他由(🖋)蒙娜(♈)(nà )作伴，走出(🧜)隱居(jū )大宅(😲)，尋訪當年(niá(💃)n )被他離棄的(⚽)弟弟(dì )及妻(🙏)兒，坦白致歉(💘)望求寬恕。感(🌝)性而(🦉)(ér )不感傷，碧(🔃)巴達(dá )以不(🔑)慍不火的圓(👏)(yuán )熟技巧呈(🤥)現破碎(suì )人生的(🔩)悲喜，冷(lěng )不(🏊)防遇上慌失(📼)失(shī )劫匪來(🌜)個黑色幽(yō(💹)u )默，也未忘留(🤴)下(xià )孩子的(🚝)善良，溫潤人間。

ユ(📞)ミは夫と娘(💯)の３人暮ら(🙊)し。近々引っ(🥪)越しを考え(🥢)てい(🙍)る。ユミは娘(🕎)のレイナが(🚸)時折うわ言(😶)(yán )を発する(🔶)ことが、少(🙇)々気にかか(🕞)っていた。転(💰)居の(♿)報(bào )告も兼(🤜)ねて友人(ré(🐚)n )ヒロミと久(⛲)々に再会す(🕵)るユミ。話題はい(🈳)つしか「あ(⏪)の日」のこ(🌞)とに。「私た(🐁)ちが埋めた(🔨)時、本(běn )当(🍵)に死んでた(🍖)のかな？」。ユミ(✂)は「あの日(🎲)」のことを(🎙)清算すべく(🎖)、サエ、ア(🧥)コにも再会を決(😝)意し、廃墟(🚵)のような家(🔝)(jiā )に一人で(✨)住むサエに(👯)会いに行く(👵)。サエは、見(🔳)知らぬ少女が現(🙌)れて娘(niáng )だ(🥋)と言って聞(🐹)かず、しば(🎏)らく一(yī )緒に暮(✅)らしていた(🤭)が死んだこ(💥)と、そして(🥔)少女は死ん(🏌)だままその(🌦)家の３階に(🙉)寝かされている(❎)ということ(🚿)を話し出す(🍗)。(C)「黄泉がえ(👶)る少(shǎo )女」(🥈)製作委員会(huì )

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