《印度(dù )之夏(💜)》根据英国女作家阿丽克斯(📋)·(🏮)冯(🎾)·(📷)藤泽尔曼（Alex von Tunzelmann）的同(tó(🏝)ng )名小(🍡)说(shuō )改编，描写的(de )是印度(dù(🥝) )独(🤩)立、印（度(dù )）巴（基斯(💚)坦(tǎ(🔛)n )）(🌚)分治(zhì )前后数十年中(🤛)印(👄)度(🔟)和国(guó )际上的(de )风云变(biàn )幻(🤾)。书(shū(👥) )中不乏(fá )人们熟(shú )悉的(🐿)著(➰)(zhe )名(🔰)历史(shǐ )人物，如甘地、丘吉(🎢)尔、(🔆)尼赫鲁和英国最后一(🎀)任(🍱)印(🙊)度(🌫)总督蒙巴顿(dùn )将军等(děng )。 What happens when two gay men in a disintegrating relationship leave the big city to spend some time alone, together in nature? Is it possible for nature to reveal the truth, their true essence and help them to change? Can these two wounded men; traumatised, hurt, lost and desperate on a remote beach find a way back to innocence? Is there a way back to reality, back to love? Their relationship was formed against fear and loneliness. They fell in love, but they can't handle love. They've both made mistakes, poisoning their relationship through secrets and lies. They suffer when together, but they can't be apart. Life in the big city hasn't been letting them breathe, think or feel - creating constant and never-ending problems. Are they both ready for the next step? 跳(🎃)出(chū )《比海(hǎi )還深》（2016）的(de )助(👔)導(🦎)身(🗝)位(🏄)，廣瀨奈奈子繼承恩師(🐢)是枝(🚍)裕和一貫家庭(tíng )缺失主(zhǔ(🌒) )題(🐟)，以(yǐ )圓熟的(de )敘事技(jì )巧，剖(🧥)(pōu )開(🐯)父(🏾)子(zǐ )關係的(de )思考空(kō(🍕)ng )間(🐖)。憑(🕤)《誰知赤子心》（2004）成(chéng )為史(🌊)上(shà(😠)ng )最年輕(qīng )康城影(yǐng )帝的(🗄)柳(🐃)(liǔ(🚢) )樂優彌(mí )，經歷(lì )過高山(shā(🔨)n )低谷(👭)，在死亡邊緣走了一回(🈵)，與(👢)這(👄)個(🖕)落泊孤絕角色感同身受。自(🥦)(zì )殺不遂(suí )被中年(nián )鰥夫(👶)收(⌛)(shō(💑)u )留(🛴)，獲(huò )編的名(míng )字竟與(🦀)他的(🤥)亡(🚵)兒相同。亦父亦子的微妙(💙)關(🍥)係，卻被(bèi )兩人過(guò )去的秘(🧟)(mì )密(🧢)動(⬇)搖(yáo )。兩個(gè )「缺」的(🥥)人(🍐)生(🎴)(shēng )，能否(fǒu )合成一(yī )個「圓(🎋)」？(🍏) 有着信念的大学教(jiāo )授(⛽)张(🍣)泰(🤚)(tài )俊(朴海(hǎi )日饰)为(wéi )了改(🐿)变(bià(🙅)n )世道梦(mèng )想进入(rù )政(📄)界(🎠)，张(🥒)泰(✍)俊(jun4 )的妻子美术馆副馆长吴(🎈)秀妍(秀爱饰)想要成为馆长(🆖)。各(😤)方(📺)势(shì )力在密(mì )切关注(zhù(😥) )着利(🧛)用(🍬)(yòng )“市民(mín )银行”这一idea挑战(🔃)国(🔮)会议员的张泰俊。今年获得(🏃)作家(👉)奖的作(zuò )家兼大(dà )企业(🦎)总(🔉)(zǒ(🐡)ng )裁韩龙(lóng )锡(尹济(jì )文饰)，和(✉)他的(🆔)(de )妻子美(měi )术馆馆(guǎn )长李(🤖)画(🌿)兰(⛩)(罗美兰饰)将关注着张(zhāng )泰(🤶)俊和(hé )吴秀妍(yán )夫妇。讲述(🕊)比(🎪)(bǐ(🚡) )起(🏍)现在(zài )，想要(yào )进入更(gèng )好(♌)的群(qún )体、进入上流社会(🤥)的(🐣)人(⏲)们的欲望冲撞。 Under Mann’s new venture, Michael Mann Books, the prequel will begin as a novel, and possibly be adapted into a film or television series. Just two days after that announcement, another project from Michael Mann Books is in the works: author Don Winslow (Savages) is writing a novel about Chicago crime boss Tony Accardo and his successor Sam Giancana, which Mann might adapt into a feature film. 上古时(🕛)期，魔(🔽)族(💱)(zú )之王白(bái )骨夫人(rén )妄(🎇)图(🍆)统(tǒng )领三界(jiè )发动战争，天(🔒)君为(👋)了能够平息战乱，便派战(✨)神(🏉)炎(👠)武在赤血(xuè )崖同白(bái )骨夫(💖)人(ré(📓)n )激烈一(yī )战。最(zuì )终战神(🍏)(shé(🌴)n )炎(🤑)武耗(hào )尽修为(wéi )，用元(yuán )神(🍤)将白骨夫人封印在赤血崖(💷)下(🐺)(xià(🌤) )。几(♉)千(qiān )万年后(hòu )白骨夫(fū )人(🕝)冲破(pò )了封印(yìn )，逃向(xiàng )了(🥂)人(👺)间(🅱)(jiān )。炎武(wǔ )战神的元神化(🤭)成了(🐐)捉(👟)妖师陆小阡历经千险找(⛅)到(📬)上古神印崆(kōng )峒印，最终降(🚀)(jiàng )服(🏧)了白(bái )骨夫人(rén ) 到東京(🚊)念(📈)大(😗)學的佐伯，寄宿在安靜住宅(🍹)區的(🐴)林家；房東千(qiān )枝太太(🍣)(tà(🤾)i )的(🔥)女兒(ér )照子，是個擁(yōng )有不(😊)可(kě )思議魅(mèi )力的高(gāo )中(⏹)美(🚳)少(🥢)(shǎ(😝)o )女；愛慕著她的親戚－鈴(💔)木也(yě )同住一(yī )個屋簷(yá(🏀)n )下(👏)。有(📷)(yǒu )著天使(shǐ )般甜美(měi )外(🐞)表的(🙇)(de )照(🌊)子，時常若(ruò )有似無地誘(👱)惑(👂)著佐伯，即便鈴木一再警告(🙉)：「(🖼)照子是個玩(wán )弄人心(xī(🔧)n )的(🌷)惡(🗓)魔(mó )」，佐(zuǒ )伯還是(shì )不可(😹)自拔(🏝)受她誘惑。照子越親近佐(💘)伯(🌁)，鈴(🈶)木與佐伯的關係(xì )便越加(🛷)(jiā )緊張。在一次(cì )激烈的(de )爭(🔅)吵(😵)中(⛏)(zhō(🛶)ng )，鈴木(mù )刺傷了(le )佐伯，看著受(🎸)重傷的佐伯，照子竟緩(huǎn )緩(🐈)揚(🥦)起(🗝)(qǐ )一抹微(wēi )笑… 算(suàn )死(🛅)师，既(🌈)算(😏)生(shēng )又算死(sǐ )，但，卦不能(🤤)(né(🏀)ng )算尽，畏天道无常，情不敢至(🔔)深，恐(🐝)大梦一场。退隐江湖(hú )的(🖼)算(🕖)死(✊)(sǐ )师良辰(chén )（夏望(wàng )饰）(👀)，以仵(🎗)作的身份隐没在小镇当(⤵)中(💄)，直(🐐)到一起赌场抢劫案将其(qí(⛑) )牵扯其(qí )中，引(yǐn )发了一(yī(🕡) )段(🈵)爱(🚈)情(🦐)(qíng )、复仇(chóu )、救赎(shú )的故(👶)事(shì )。 A bloodthirsty drifter befriends an immigrant family and avenges their murdered father. 到東(dōng )京念大學的佐(⚾)伯(🚜)，寄(⏩)宿在安靜(jìng )住宅區(qū )的(⚾)林家(🚋)(jiā(😏) )；房東(dōng )千枝太(tài )太的(😨)女(🔪)(nǚ )兒照子(zǐ )，是個(gè )擁有不(🕴)(bú )可(💩)思議魅力的高中美少女(🔕)；(😕)愛(🛠)慕著她的親戚－鈴木也同(🍠)住(zhù(🔝) )一個屋(wū )簷下。有著天(tiā(🦎)n )使(🍧)般(🐐)甜(tián )美外表的照子，時常若(🚅)有似無地誘惑著佐伯，即便(🐰)鈴(🏎)木(💿)一(✍)(yī )再警告(gào )：「照(zhào )子是(🏥)個(gè )玩弄人(rén )心的惡(è )魔(🏅)」(🚟)，佐伯還(hái )是不可(kě )自拔受(🔁)她誘(🧦)惑(🐯)。照子越親近佐(zuǒ )伯，鈴(lí(🔠)ng )木(🉐)與佐(zuǒ )伯的關(guān )係便越(yuè(🥨) )加緊(😐)張(zhāng )。在一(yī )次激烈(liè )的(🦔)爭(🕣)吵(🅿)(chǎo )中，鈴木刺傷了佐伯，看著(🔌)受重(💆)傷的佐伯，照子竟緩緩揚(🔜)(yá(🍈)ng )起(🏌)一抹(mò )微笑…